Claude Monet in "Primavera a través de las ramas de los árboles" (1878) wondered what was the most important thing: the hidden landscape or the branches present in the foreground, reflected on that value of the gaze. The same is done in the collection, generating that question in which this return to naturalism leads us to hybridize the human with the natural as something intrinsic.

Touch as the main sense, to guide the sensations. Recover the sensitivity lost by technologies. Naturalize the female nude, with lingeries and comfortable garments.

Break down the barrier between inner and outer world by exposing lingerie and maintaining little things from the everyday. Impressionism avoided closed spaces, reaching for nature and changes on social perspectives. Haptic vibrations given by textures like devore, pleats, irregular ruffles, natural fabrics and overlays. The intrinsic hybrid between natural and humanity of naturalism.

A look into everyday life, the value of the small things, of ephemeral moments, a carpe diem. This leads us to relate to nature, the artisan, the earth, the mud... Natural dyes, textures, to recover the touch, the sensations... To leave that black mirror in which we see ourselves projected through the others to feel our body again in the first person.

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